|
A top quality instrument from the early 19th century
that displays all the characteristics from the workshops of J.B.
Vuillaume.
A visually wonderful instrument of pleasing proportions.
Smaller than the many instruments made later around the turn of
the 20th century this instrument is of viol shape with a flat back
that gently inclines from a lower rib depth of 22.1cm at the end-pin
unit narrowing to a mere 14.4cm at the neck. With steeply sloping
shoulders this is without question the sort of instrument that most
players would kill for.
The stupendous varnish simply makes this instrument
stand out from the crowd. It is golden-orange-red over a yellow
ground and is of the same quality to that seen on the best violins
of JB.
The F`s are immaculately cut and are perfectly positioned.
The scroll is highlighted by a black varnish so typical of the French
makers. Two worm brackets that hold the cogs in place bear the manufacturers
brand "E. Irrot Charotte" another is branded "Arbesant
Aine Mirecourt".
A signed J.B. Vuillaume scroll in untouched (no varnish
or cogs) condition and which in all probability was used as a shop
sign has been compared to the neatly carved and well proportioned
scroll that tops this instrument. The similarities arising in every
detail, in the measurements, proportions, the carving in the turns
of the volute and its eye, the chamfers and the carved detail of
the back ridge and button are more than overwhelming evidence in
supporting this attribution. A truly magnificent top quality French
instrument with stunning looks and a sound to match.
Set up by Roger Dawson using a top quality Belgian
style bridge from Chevalets Despiau, the highly acclaimed "Barnaby"
end-pin unit and Pirastro Flexocor strings. A large number brand
"466" on the back button strongly suggests that this instrument
passed through the workshops of Tournier at some stage. The instrument
was previously owned by the French Radio Orchestra.
LOB 43in (109cm)
St. Length 41.3in (105cm)
|
